View of Gorée Island from ferry boats.
Goree island, Senegal (CNN) -- A short ferry ride away from Dakar, lies the quiet and picturesque Goree Island. Three kilometers off the coast, the Senegalese island is tiny and easily accessible by foot.
Without cars or roads, the island preserves a charming ambiance with faded buildings revealing its European colonial history. Beneath its quaint facade, however, the island hides a brutal history.
Known as Senegambia at the time and located at the westernmost point in West Africa, Goree Island used to serve as a strategic trading post for the transatlantic slave trade -- African men, women and children were held and traded here before being loaded onto ships to the Americas. Estimates vary, but all of them place the number of Africans who died while in transit in the millions.
Reminders of the slave trade
The history of Goree Island
Eloi Coly has worked on the island for 26 years as a site manager. He is also the chief curator of the "House of Slaves," built by the Dutch in 1776, and is the last slave house remaining on the island and Coly has painstakingly preserved its history.
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"The 900 meter-long island used to host around 28 slave houses. Today most have disappeared and turned into private houses," Coly told CNN during a tour of the house. "This one was chosen by the Senegalese state to keep the memory and remind all the people about the fragility of the liberties. People come from different countries... It's a place of memory and reconciliation."
On the ground floor of the house is the men's quarters where male slaves were housed in a row of cement cells. According to Coly, about 15-20 male slaves were packed in these 2.6 meter by 2.6 meter rooms; seated with their backs against the wall, chained around the neck and arms, they would usually have to wait in the room for about three months.
The conditions were so appalling and unsanitary that a major epidemic that ravaged the island in the 18th century started in these rooms, Coly said.
After the waiting period, the slaves would then be taken out of the cells for trade. They were then stripped naked and gathered in the courtyard in the middle of the house. The buyers and traders would lean over the balcony overlooking the courtyard and observe the slaves while negotiating prices.
"Each ethnic group used to have a quoted price." said Coly, "They were treated exactly as merchandise not as human beings."
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The selected slaves would then be taken from the courtyard through the corridor to the 'door-of-no-return'.
Located at the very back of the house, facing the Atlantic Ocean, the door leads to a wharf made of palm wood, where there would be a ship waiting to take the Africans across the ocean, never to return to their homes. Slaves that had fallen ill or died were also thrown into the ocean from this door, Coly said.
According to Coly, all parts of the house were utilized to facilitate the slave trade: small dark rooms underneath the staircases were used as punishment rooms, and the damp little rooms kept young girls and children separately from men for sale or the pleasure of the traders.
When asked how he could face the horrors done to his ancestors every day, Coly's answer came rather calmly: 'It is important to keep the memory of the victims, to consider that what happened is a part of the history of human being, not only history of Africans or blacks or whites.'
Beibei Yin contributed to this article.
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The buildings reflect many colonizing powers of previous centuries: English, Dutch, French and Portuguese architecture can be seen everywhere.
Slaves would stand naked at the center being observed by traders above negotiating a price for them.
A cell 2.6 meters x 2.6 meters housed 15-20 men at a time for around 3 months.
Conditions were so horrid for the people forced to live here, an epidemic broke out, according to the curator of the House of Slaves.
The 'door-of-no-return' was the last step on African soil slaves would see, a wooden plank lead them from here to a slave ship.
Inside Africa's Errol Barnett looking out through the 'door-of-no-return'.
Eloi Coly, Chief curator at House of Slaves.
French cannons atop Gorée Island.
Looking down on Gorée Island is like looking through a time machine.
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