I
n the 1960s, Ornette Coleman and John Coltrane introduce a
form of jazz that is almost without form, rejecting
traditional rhythmic and harmonic restrictions.
Preservation Hall in New Orleans opens in 1961, a living
museum to bring traditional jazz to future generations of
listeners. As the civil rights movement brings attention to
African-American culture, jazz begins to receive more serious
academic study, and enters the course catalogs of colleges
and universities.