
Russian makeup artist Valeriya Kutsan's new series "2D or not 2D" transforms the faces of her subjects into works of pop art. In this image, the model's skin is covered in small red dots and her hair is painted with a bright yellow color to recreate one of Roy Lichtenstein's comic-style paintings.

Through the use of clever perspective, bold lines and sharp blocks of color, Kutsan's models appear like two-dimensional surfaces. The makeup artist says it took at least four hours to create these living artworks, and in some cases many times longer.

"As a makeup artist I think that professional makeup can not only change and transform but ... give you confidence to grow your self-appraisal" Kutsan told CNN.

The series is dedicated to the art of Andy Warhol, and so Kutsan was keen to bring a pop art sensibility to her work, even when riffing on Renaissance paintings. Here the Mona Lisa is given a pixelated treatment for the digital age.

In Kutsan's eyes, makeup is a "form of theater" -- her models are actresses and they wear disguises to slip into a different character. She says she used the full range of makeup techniques at her disposal to emulate the style of other artists such as, in this case, Piet Mondrian.

"Every painting and artwork has its own character on the model's face," says Alexander Khokhlov, a Moscow-based photographer who teamed up with Kutsan to create the final images.

Here, a female model is made to look like a version of the iconic red and blue Obama poster created by graphic designer Shepard Fairey.

The images have also been enhanced by subtle post-production treatment, which, says Khokhlov, could sometimes take as long as five days to render.

In this instance, Kutsan used a patchwork of different materials, including newspaper and papier mâché to achieve a more textured, mixed media result.

"Me and Alexander already have several ideas for the next project," Kutsan said, "But we'll keep it secret. Just to keep the intrigue."

The duo's previous project "Weird Beauty" This Wifi image is part of the "Weird Beauty" series in which commonplace images and symbols are rendered in black and white on the model's faces.

In this work, Khokhlov says that sharp contrasts of light and dark plays against the soft beauty of the model's face with surprising results.

Even in the earlier series, the pop art references are still very much apparent.

Often, the experience of optical illusion is muddled with reality - as the model's direct stare is a deliberate reminder of the human behind the makeup.