- "Thomas the Tank Engine" and "Paw Patrol" have been eviscerated by the press and on social media
- Young brains seek out order, stability and even punishment in their entertainment
But young children, as dictated by their tastes in popular culture, have something else in mind. They're drawn to worlds in which identities are fixed, order trumps imagination and transgressions are met with routine punishment.
This clash between what parents desire for their children and what children desire for themselves is most easily observable in cartoon preferences. So often, the more parents dislike a show, the more their children love it.
Two of the most divisive shows are "Thomas the Tank Engine" and "Paw Patrol," both of which have been eviscerated by grown-ups on discussion boards, in social media and in widely shared essays in prestigious publications.
"Thomas," the long-running television franchise about a group of working trains chugging away on the Island of Sodor, has been called a "premodern corporate-totalitarian dystopia
" in the New Yorker, imperialist and sinister
in Slate, and classist, sexist and anti-environmentalist
in the Guardian. And yet people -- presumably parents -- spend $1 billion on "Thomas" merchandise every year.