Paris CNN  — 

Jean-Marc Fournier didn’t have much time. As flames ripped through Notre Dame cathedral’s medieval roof on Monday evening, the Paris fire brigade chaplain had a single mission – to rescue two of its most sacred relics.

The problem was that the Crown of Thorns, revered as having been worn by Jesus Christ during his crucifixion, and the tabernacle, containing the Eucharist or holy sacrament, were locked inside a safe in the church’s treasury that no one knew how to open.

“We couldn’t get the codes … we couldn’t get hold of the people who had them,” Fournier said Wednesday.

Finally, as the flames high above crept closer to Notre Dame’s famous spire, a church officer appeared with the crypt key, and the chaplain and firefighters rushed in.

Inside, red-hot embers and debris drifted down from the vast rib-vaulted ceiling. Fournier watched as a team of firefighters broke open the safe and extracted the crown. Made of rushes bound by gold threads, it has been encased in a crystal tube since 1896.

The holy crown of thorns worn by Jesus Christ during the Passion.

The chaplain joined a human chain of firefighters, emergency workers and antiquities experts to pass the crown and other irreplaceable treasures out of the burning church and into safety. Their efforts in those first few hours would save hundreds of years of art, history and heritage that Fournier said “belongs to humanity and the world at large.”

Toiling through the night

As luck would have it, several people with deep knowledge of the contents of the church were already on site when Monday’s fire broke out. Notre Dame was undergoing a planned restoration, and Didier Durand was working on repairing the cathedral’s flying buttresses when the first alarm went off.

Chaplain of the Paris fire brigade, Jean-Marc Fournier, answers journalists' questions on April 17, 2019, at the Poissy fire station in the Cardinal Lemoine street near the cathedral in Paris.

As the flames ate their way through the cathedral’s roof, Durand toiled through the night with other specialists to evacuate artifacts and statues.

“There were 20 of us who packed all these artworks, protecting them, making an inventory,” Durand, the chairman of stoneworks company Pierrenoel, told CNN.

Christ's Passion relics at Notre Dame cathedral. The nail from the cross is pictured.

Marie-Helene Didier, a conservator who has been overseeing the restoration, was also there, noting down a precise account of all the works before packing them into trucks to “preserve them as much as possible,” Durand said.

Among the items salvaged was the tunic of St. Louis, believed to have been worn by King Louis IX in the 13th century, and ornaments from the altar used for the coronation of Napoleon in 1804, among many other invaluable artworks and relics.

A view of the tunic allegedly worn by Saint Louis on display inside the Notre Dame cathedral in Paris on November 29, 2012.

The trio of rose windows that date back to the 13th century and the original Great Organ – one of the world’s most famous musical instruments – also survived.

The significance of the religious objects recovered from the fire cannot be overstated, said Celine Coulangeon, a professor of art history at Catholic University of Paris.

“The relics are some of the only ones remaining from the passion of Christ,” Coulangeon told CNN, adding that they were purchased by Louis IX for a cost equivalent to half of the state’s annual budget.

“During his reign, there was a cult of the relic,” and the artifacts were seen as a way to “get closer to God,” she said.

A view of the stained glass rosace on the southern side of the Notre Dame Cathedral in Paris on November 29, 2012.

In the immediate aftermath of the blaze, some of the most precious works of art and treasures from the Notre Dame were held under security at Paris city hall, according to the Élysée Palace. By Thursday, the ministry of culture had repatriated that artwork to the Louvre Museum, which will receive more pieces and paintings in the coming days.

Culture minister Franck Riester said that the “risk of collapse” had prevented the removal of some of the cathedral’s paintings, but that if the all-clear was given, they would be taken out on Friday.